When one door shuts, another opens

Always open, always closed.

T. VAN KANNEL, at the opening of the world’s first three-winged Wooden Revolving Door, Rector’s Restaurant, Manhattan, 1899.

~

People tried to spin the door in both directions.

GILBERT GASSON, double bassist, following the nightclub fire that killed 492 people at The Cocoanut Grove, Boston, Massachusetts. The revolving door jammed, trapping hundreds of people.

It’s anything-can-happen day.

DARRYL HOSS, captain of Boston College Football Team, commenting on their surprise defeat to rivals Holy Cross. They had made plans to celebrate their victory at The Cocoanut Grove but, following the 55-12 defeat, cancelled the reservation.

Both from November 29, 1942, Boston Herald.

In the Beginning

Commissioned for “In The Beginning”: an evening of talks and discussion on the Big Bang, held @ The Dana Centre, London Science Museum.

 

In the beginning, there was Ewan’s Bar and Grill.

Ewan created the mood lighting and the beer cellar. He separated the lounge from the games room and the water from the whiskey. He created a small expensive lunchtime menu, and saw that it was good.

Ewan created a huge expanse behind the bar, and then I came into this world.

And then Ewan said “Let no one smile unless someone else has smiled first” and it was so. And the customers only paid cash, and the TV only ever showed horseracing, and no one touched the dogs.

So now Ewan‘s Bar was formless and empty, the spirits congealing in the optics, my towel endlessly wiping the surface of the bar—

But then Ewan said, “Let there be Maggie.”

And there was Maggie.

This is the story we tell people of how our world began. A story Maggie and I must have told around fifty dining tables. A story of two teenagers working in a dive bar in Slateford, who fell in love and escaped together into a more civilised, more hygienic society.

When people ask us whether it was love at first sight, we say, “Yes.”
Because this is a simple answer, and simple answers are usually correct.

However, if you were to conduct even a cursory examination of our lives, you would quickly find evidence that does not fit this account of instantaneous, true love.

Instead you would find two people that very much wanted something to believe in. Two people who were unhappy with the prospects offered by a grimy bar on the edge of Edinburgh, and resolved to pool their resources. Maggie and I were at the mercy of more pressing conditions than simply love; conditions that included mutual low self-esteem, a drug dealer support network, and an unreliable late-night bus service, amongst others.

You could say that Maggie and I forced the facts to fit. We tinkered with the measurements till our equations balanced. We botched love and we stuck to our story. Over time we moved out of Slateford and into the Braid hills. I took a job at the university. Maggie went into PR, until the birth of our first child, a girl. Two years later, Maggie began work at a local cancer charity. Our child started talking. I took up gardening. We rearranged the furniture in the lounge every twelve months, and soon, the walls of our home became the furthest limits of our universe. There was no need to look beyond the bookcases, the cistern, the garden shed.

And I would find myself having sex with my beautiful wife on Christmas Eve in our warm two-bedroom Victorian maisonette with a tree bursting with electronics, a turkey waiting in our oven, and a young girl asleep in the room next door dreaming of what I suspect to be ponies…

And despite these things, I would find myself asking questions that I could not answer. Deep down, I could not shake the feeling that we had fiddled with the equations. I did not know what Love was. I did not know how I had got there.

Violet is five now. She is a chatterbox, without portfolio, although in amongst the nonsense, Violet retains an uncanny ability to nail my subconscious at the worst possible moments. Whilst waiting for our Christmas meal, Violet threw a keyring at the back of my head and demanded to know if I loved mummy. And without a seconds hesitation, I jumped straight into the story of Ewan’s Bar and Grill.

Because every child needs its own creation myth.

I lie to my daughter because the truth is messy. Its lack of aesthetic offends me on some deep subconscious level. The truth requires so many blind assumptions and predicates that it sounds no more credible than the fairytale that I usually dish out. I see no reason to change the party line, not yet.

How to break down this data. How to reach an answer that is elegant and correct. A theory that will unify all my questions:

How did I end up loving Maggie?
How did Maggie end up loving me?
What force holds us together?
How did our universe come to be?

It’s galling that the questions that have kept me awake at night for so long should sound like a Rod Stewart song.

Back then, whenever I thought about those questions, I would begin to feel ill, almost immediately. It was as if those questions had to be hidden from me in order to preserve my sanity.

But now, things are different. The last twelve months have been scored with breakthroughs. Slowly, piece by piece, I have begun to make sense of the data. At every stage in my reasoning, I have tried to reach rational conclusions built on observable evidence. Yet, at the same time, I have never felt so passionate. My passion drives me not to simply believe, but to understand.

I do not want to simply accept my marriage. I want to prove it.

 

Breakthrough 1
We are not at the centre of the universe

When I married Maggie, I thought that from then on, my life would revolve around making her happy. Then, when Violet was born, I thought that my life would revolve around keeping her happy too. They would be the binary suns around which my world would turn.

If that version of the universe was correct, then my family should be able to exact a huge influence over me.

Yet their direct influence, for better or for worse, is barely noticeable.

Despite being my protégé, I am generally unmoved by Violets force around the home. Although she swings through extreme emotional states, she rarely influences my mood. In fact, I find her problems to be extremely amusing. She is driven by insane levels of greed that are impossible to sympathise with. It is like living with a tiny loveless steel tycoon.

Maggie’s influence upon me is greater. The fact that she currently hates her job does aggrieve me, obviously. But it is not the same as me hating my own job. The death of Maggie’s mother was traumatic for me as well. Yet it was nowhere near as traumatic as my own parents’ death.

However, on the surface I will try to behave as if the problems of my family are tearing me apart. I will fake their influence. I will cry with them and drink with them, because I want them to feel that we are all together, in some sort of geo-synchronous orbit. I will make her spaghetti and I will laugh at her jokes, but none of things will make my wife forget that her mother is dead.

The influence, positive or negative, between the members of my family is negligible in the face of the unrelenting pull of my own guilt. At the centre of the world is not my daughter or my wife, but a re-imagining of myself as a better person: as husband, lover, father, protector.

I must concede that what I believe to be consciousness is just a tiny morsel of thought orbiting my own giant superego. My core mental image is miniscule compared to the colossal influence of the collected anxieties that I hold about myself. Raised on TV and hereditary hand-me-downs, my superego is the burning, screaming centre of my solar system.

The distinction between myself and my superego is an important one. Much like Sol in our own noonday sky, you can worship your superego it if you want, you can navigate by it, you can let it power everything in your home. But lets face it; you wouldn’t want to actually live there.

Occasionally, objects pass in-between me and my blazing superego (say, a bucket of chicken or the breasts of one of my students). During these moments, I am cast into shadow, where I momentarily can forget my larger desires. But this eclipse is only cosmetic. My true orbit is never altered.

Which leaves the question: where are my wife and my daughter if not in orbit around me, nor I around them?

Well, I believe the metaphor is not localised to our solar system, but expands to neighbouring galaxies, and that Maggie and Violet are distant minds in orbit around their own dreams, slaves to their own burgeoning conscience.

I designed this metaphor as an aid to meditation. It was supposed to make me understand the sheer vastness of my marriage; as if my family were grains of dust floating through a cathedral. It was supposed to help me understand how my world and the world of my wife can be so far away from each other, despite the fact that down on the surface of my planet, when my sun is asleep, she can look close enough to touch.

This new theory made me happy all through Spring. I stopped taking the sleeping tablets. I even started running. I was alone, but not lonely, imagining our house as the lens of a giant telescope, with Maggie and I twinkling at each other across the great vacuum of our dining table.

Soon Violet started school and I became too busy to dwell on these questions. My family and I were too busy bringing in shopping and hanging out laundry and holding down our careers and reprising things from cookbooks and going to school Open Days and turning on televisions to discover episodes of CSI that miraculously we have never seen before.

In moments like those, it was easy to convince ourselves that the universe was stable.

But by summer, a new theory was coming to light.

 

Breakthrough 2
The universe is not static

In fact, everything in my life was slowly drifting further apart. The evidence was so minute that it could only be observed over extremely long periods of time. But the evidence was there, all the same.

My first observations regarded Maggie’s toilet habits. Maggie increasingly had ‘phantom’ urinations, going to the toilet when she did not need to go. There was a flush, but this sound was not precipitated by any evidence of passing water. When I first noticed this phenomena, I suggested that Maggie go see a urologist. Maggie made no attempt to do so, and I do not make these types of suggestion anymore.

Another observation: whenever we took a car journey together, Maggie would fasten Violet into her purple Biffo Bear car seat. Then she would close Violet’s door, walk around the back of the car, open the front passenger door and get in.

Over the last eight months, the length of time from the closing of Violet’s door to the opening of Maggie’s door steadily rose from four to fifteen seconds. On our holiday to Germany this August, the journey around the car reached a new high of twenty-seven seconds. In the rear-view mirror, I could see one of Maggie’s pale hands, pressed against the back of the car. Beneath the sound of the autobahn, I could hear Maggie counting to herself.

Were it not for her counting, I would not have been able to measure how long I sat waiting for her. My head was so cloudy with thoughts that I doubt I would have been able to measure that huge expanse of time on my own.

I began to believe that these small disappearances of Maggie were in fact indicative of a larger curvature away from the rest of her family. To put it scientifically (therefore least painfully) Maggie was suffering from an imbalance in time and space, and that this imbalance was pulling her further and further away from me. Even with the vast distance that already existed between us, the universe was continuing to expand.

These were not, in themselves, strong enough phenomena to deduce at what date Maggie would divorce me. Although, if the time that Maggie was taking to traverse our car continued to increase at the same rate, then it would be possible to plot the following:

January 2008   4 seconds
August 2008    27 seconds
August 2010    15.5 hours
August 2011    29.7 days
July 2013          47.6 years

Maggie’s position in bed had also begun to shift. Night by night, her knees had been slowly creeping away from me. By September, one of them had begun to protrude from under the duvet. It was easily detectable due to its paleness. It seemed to light up the entire room.

Each night, I could directly experience the growing distance between us. I could feel it in the springs beneath my body. Timelapse photography would show Maggie’s head to be slowly dragging itself away from me, across our dark goose-down pillow-cases, a trail of red hair billowing behind it, and me, staring blearily into its wake.

My mood reached its lowest point on the 26th of October 2007. I found myself unable to sleep, and wandered into the front room to examine my bookcase. I sat at my desk and began to write notes for the following day’s lecture on “Introduction to Tourism Geographies”. Eventually I found myself unable to type, and spent the remainder of the night cleaning the cupboards in the kitchen.

At ten o’clock the next day, I arrived at the lecture theatre, just in time to see the last few of my Second Year Tourism students filing out of the hall. Several of them cheered sarcastically at my arrival, exaggeratedly pointing at their wristwatches.

At that moment, standing in the doorway of Lecture Theatre 3, I had the final breakthrough of my miracle year.

You see, it was the first day of winter, and I had forgotten to wind back my clock.

 

Breakthrough 3
At some point, everything was On
e

If we agree that my family is drifting apart, then we must also agree that they are being propelled from a point of origin.

To look upon my marriage now is to look upon the last stragglers of a class that has decided to dismiss itself. There is only so much we can learn from this data. But if we travel back along the timeline to the start of the lecture, we can actually see how many attended and how many were absent.

Therefore, let us imagine my marriage in reverse: Maggie floating back towards the centre of the bed, awkward silences retreating into our conversations, our bodies becoming inseparable as the years drop away.

If we run the clock backwards for long enough, then hypothetically, we would arrive at a saturation point; a period where our family were as close as they could ever possibly be. An origin point for our universe, which we can examine for traces of our love.

That evening, I paid a visit to my only remaining friend from Ewan’s Bar and Grill, a radio technician named Cliff Fitzpatrick. Cliff’s Super-8 camera had been a constant fixture of our Slateford days. I had successfully dodged Cliff’s suggestions of a nostalgia evening on several occasions. Now, however, Cliff’s old film canisters took on a new significance. They were the oldest archive of mine and Maggie’s relationship. From these records I could look unhindered into the past and witness the first blossoming of love between us.

Over dinner, Cliff asked me if Ewan’s death had anything to do with my visit. I told him that I had no idea. Cliff explained that Ewan had burned the bar to the ground five years earlier, claimed the insurance, then run away to France. There’d been no further news until the Evening Post reported a heart attack last week.

At that moment Ewan appeared, flickering silently across the wall of Cliff’s dining room. He looked a lot younger than I remember. Next to Ewan, a young man with bleached blonde hair. A distant echo of myself, made from light that had taken fifteen years to arrive.

There was a sound like ears popping, and the image changed. Now Maggie appeared, wiping down the bar, her red hair tied in a knot on top of her head. A few seconds later, the film ended. We watched several more. Some featured the bar, some Cliff’s old university flat, yet Maggie and I almost never appeared in the same frame. It was as if we had been hastily spliced together from different films.

I arrived home to find Maggie sitting in the garden. The sun was over the horizon by that point. Maggie was little more than a shape among the trees. In drunken broken English, I asked her if there was ever anyone in her life who she had loved unconditionally, right from the moment she first met them.

I remember a long pause, then Maggie kissing my cheek. Her lips were cold and I wondered how long she had been sitting in the garden.

“Maybe my first boyfriend,” she said.
”But things were different then. I didn’t know how the world worked.”

Then she said, “what about you?”

There, in the darkness, I began to modify my theory. You see, it was conceivable that by the time Maggie and I discovered each other, both of us were already adrift. Which means that the point at which my wife and I were joined spiritually may have occurred even before we met one another. And although we may not have experienced it at exactly the same point in time, individually, we each had our own moment. An origin point to our love.

Suddenly, I remembered watching Lucy Arnold
lifting her leg into her father’s car.
I was walking across the playground.
Her smile.
For one second, there was nothing in the world but that image.

And in that moment, there was no separation between me or Maggie, nor anyone else in the universe. In that moment, mass and energy were one. And from that spark, all of life began. From that point, we have all drifted out, further and further, creating new constellations, wishing things upon one another. But everything has been propelled from that initial moment. That first feeling. And for one second, looking at Maggie, I felt its force again.

Theories themselves only last so long. Eventually another model always comes along. The community adopts it, the old idea gets reduced to a footnote, then eventually it disappears altogether. Yet the fathers of those theories almost never give up. They cling to their outdated theorems, well past the paradigm shift, even when their tenacity begins to make them look like idiots. They take their theories with them to the grave.

And on that day in the garden, standing there with Maggie, I think I might have made a similar pact. And as Maggie stood there waiting for my answer, my eyes began to adjust to the light.

The Yesterday Re-Enactment Society

The Yesterday Re-enactment Society

We, the undersigned, recognise
That everything ever was measured in minutes
We, the undersigned, recognise
That the place we can’t reach is the place that most itches
We, the undersigned, recognise
The exact thickness of each single ticket
We, the undersigned recognise
That each day we wake we’re aware that we’ve missed it
The Yesterday Re-Enactment Society is now called to order
Let the record show we are ready to get down to business

Item one:
My English teacher called me
and my Parents in after school
to tell us that me choosing my
A-Level subjects on their usefulness in
A ground war was stupid. ‘You
should do English’ he said ‘I
would very much like you to.’
Please consider it’. I ignored
his advice. It would have been
useless in a ground war
And by the time I woke up it was today

Okay…
Any comments?
No?
All in favour?
Carried

The re-enactment will take place on the next
Late train going north with a time estimate
Of nine short songs. It should be referred to
As Fork Event Three.
Red team to take the teacher
Blue team to take the family,
Green team to play stupefying arrogance.

All participants are asked to dress appropriately;
Please no stubble, running shoes,
or informed choices
let’s make this an accurate one

Item two:
I’ll never really know why, but
As we were leaving the park
she stopped in front of me
and said something. I didn’t
hear what. I was concentrating
too hard on not staring at her.
Not staring at her
She repeated the question
‘Does my heart feel normal?’
‘Here’. And she put my hand there
where all that day’s spent sun rested
I’ll never really know why,
but I looked straight at her and said
‘Yes. It feels perfectly normal’.
And by the time I woke up it was today.

Any comments?
None
All in favour?
Carried

The re-enactment can be referred to as
‘Park Scenario Nine’ and will go ahead
On the first available cold morning in the kitchen
With a time estimate of as long as it takes for the
heating to warm up the kitchen chairs
Blue and Green teams to play the couple
Red team to play twigs tangled in blonde
Orange team to play redundant sodium glare
Seen through trees.

Again, authenticity, people: no Ipods, good food
or comfortable salaries. It only takes
one anachronism to ruin the whole thing.

I tem three:
We were on a romantic weekend
in Dublin, and we woke up and it was a
beautiful day, but we couldn’t decide
what to do, so we decided to have a
screaming argument about nothing.
I got angrier than I could express in
- talk-
so I left the hotel and went across the road
to the park and punched some trees
and all of them were as hard as you’d
expect them to be and then by the time I
woke up I was being shouted at
because I had a broken wrist
and there was red idiot juice on
the pillows and it was also today.
And it’s been today every day since
Any comments?
No?
All in favour?
Carried

Of course it’s carried: they all get carried
Either like a dead friend or like a flag captured
They wait for their turn at the front of the back-log
Everything you ever do will one day get re-enacted

None of them are perfect
Some things we’ve forgotten;
some things we just miss
The scene might lack panic’s acrid perfume
or the authentic smoothness of the skin on a wrist
but we dedicate ourselves to this re-creation
in every stupid, beautiful detail. It’s exhausting business

we stay as faithful to our mistakes as we do to our triumphs
with a second chance to do it right, we choose to do it wrong
whatever it takes for us to touch yesterday
because midnight comes around like
going…
going…
gone…
still gone

I sometimes forget we’re all going to die

It’s hard to imagine my housemate coming home
to find me unconscious at the bottom of the stairs
my head cracked against the radiator
the carpet splattered with blood.
It’s hard to imagine my family gathered in a room
while a surgeon tells them ‘I’m sorry, we did all we could.’
It’s hard to imagine that I’ll collapse
and a passing member of St John’s Ambulance will stoop down
and announce there’s no pulse
because I’m far too busy for drowning accidents 
or chip pan fires

because it’s Glastonbury in June
and Edinburgh in August
and it’s their turn to come to ours for Christmas
and our turn to go to theirs for New Year
so there is no time for asthma attacks or carbon monoxide poisoning
motorway pile ups or complications during minor surgery
because I’m going to see Elbow
at Manchester Academy in September
and British Sea Power have got a new album out soon.

I sometimes forget we’re all going to die
but I can’t imagine seeing one of my friends wearing an oxygen mask
wired up to a machine
having their chest punched, being fed by a drip
surrounded by Get Well Soon cards and fresh fruit.
it’s hard to imagine getting a call late at night
and be told ‘Something Has Happened.’
We won’t need morphine or life support machines
because it’s hard to imagine any of us will be written out
like a character in our favourite sitcom
that we’d switch on the TV 

and suddenly they’re not there.
It’s impossible to imagine that things will carry on without us
that one of us will die
and General Elections and Big Brother and the BBC website
and the Mousetrap and Derby County and animal rights activists 
and Hollyoaks and the Radio 1 Breakfast Show
will continue like nothing’s changed
and in hundreds of years people will still meet for coffee
and renew library books
like none of us ever existed at all.

Instruction Manual For The Dishwasher My Ex-Flatmate Obviously Thought We Owned

Instruction Manual for the Dishwasher that my ex-flatmate obviously thought we owned

UNIMPORTANT- PLEASE IGNORE COMPLETELY-

Introduction

Congratulations on finding yourself in a house that somehow contains our latest dishwasher. This manual will talk you through the basic operation of the dishwasher. Used properly, this dishwasher will provide literally weeks of functional service, relieving you of the cumbersome chore of washing dishes. That said, it is still a major drag and nobody would blame you if you couldn’t really be bothered with it all.

1. Getting started

1.1 SAFETY NOTICE

Faulty appliances can kill, but that’s no reason to be a dick just because nobody told you they were faulty and you got a shock that took your nail off, right?

1.2 Connecting the dishwasher

Just kidding. Nobody knows how to do that.

1.3 Getting to know your dishwasher

In the box, you will find a clear bag of spare parts and servicing tools. What are they all about? Kick them under the fridge.

2. Basic Operation

2.1 Opening and closing the door

To open

Squeeze the recessed button in the handle until the catch disengages. This will cause the door to drop slightly. Now, slide your hand into the opening and fling the edge of the door towards the floor as hard as you physically can. The door may make a loud cracking sound. This is perfectly normal and results from it hitting the tiles very hard.

To close

Raise the door to the halfway point with your foot and then kick it repeatedly until the door catch gives way.

2.2 Loading the dishwasher

The dishwasher performs best when every cubic inch of it is filled with heavily soiled crockery. This is because, where most inferior models use water as the principal cleaning agent, this dishwasher runs entirely on vague hope. Vague hope, unlike water, can easily pass through solid objects and is not impeded by gravity. This means you can and should stack deep sided utensils three or four deep in overlapping piles with their open sides facing up or down as fate sees fit.

2.3 Detergent etc

Opinion is still divided on whether dishwashers operate better with or without detergent. This situation is complicated by the ongoing uncertainty on what detergent is and where it is kept. In addition, there’s shit like rinse aid, and salt, which just do not make sense.

2.4 Selecting a programme

This dishwasher has nine different wash programmes, which can be selected by pressing one of the nine programme buttons on the front of the machine. The buttons are labelled in your native language with the actual names of the programmes themselves. Selecting the correct programme is simple: just slap or jab the panel in the approximate area of the programme buttons and then leave the dishwasher unattended for a day.

2.5 Unloading the dishwasher

At the end of the cycle, the dishwasher will open itself, inspect its load for remaining debris (e.g. plastic bags, beer cans, whole chicken carcasses), clean any dirty items by hand, and stack them neatly in the cupboards. It performs this function most effectively when you are passed out on the bathroom floor.

3. Maintenance

The dishwasher, like everything else in the physical world, needs no maintenance. Ever.

This manual is 100% recyclable. Throw it in whatever bin is nearest you when you lose interest in it.

The Significance of 4am

If we believe what we see on late night TV,
Then the only thing people watch on light night TV
is metaphor.

The gang member watching hyenas on Discovery.
The drug addict glued to White Christmas,
The junior statesman prone in front of Night of the Living Dead.
The jilted romantic trapped between channels,
each broadcasting a monochrome clinch:
Darling, I….don’t ever…hold me, Rupert…promise me…. never, understand?

A sick kid stares into the holiday box
At 4am
When a face looks like a colouring book.

Murders are trapped in feedback loops;
Victims watching victims watching victims.
The Dad, roaring at slapstick,
While the son digs his nails into the carpet.
A sleeping weatherman, bathed in static,
The test card whistling like a heart monitor.

So it’s galling sometimes,
when I follow the trail of radiation
into the small of the lounge
and ask you what you’re watching

and you turn to me in your snow-drift shirt
with the pepperoni print
and your eyes like Acme anvils
and you reply, Richard Hammond’s Blast Lab.

Richard Hammond’s Blast Lab.

Praise Sonofabitch for the Day Off

A Poem for President Obama (in N+7)

Each day off we go about our buskets,

walking past each other, catching each other’s

eyebrows or not, about to speak or speaking.

All about us are nomads. All about us are

nomads and brand, Thoth and ding, each

one of our anchovies on our tonker.

Someone is stitching up a Hemerobaptist, darning

a holiday in a union, patching a tissue,

repairing the thirteen in need of repair.

Someone is trying to make muskets somewhere,

with a pair of wooden sporrans on an okey dokey, 

with Celsius, booster, harness, voilà.

A wonder and her song wait for the business.

A farrago considers the changing slack.

A tear says, Take out your pendants. Begin.

We encounter each other in the World Court, A World Court 

spiny or smooth, whispered or declaimed,

A World Court to consider, reconsider.

We cross dirty tricks and hijinks that mark

the williwaw of onions. And then otters, who said

I need to see what’s on the other sieve.

I know there’s something better down the roar.

We need to find a placebo where we are safe.

We walk into that which we cannot yet see.

Say it plain: that many have died for this day-off.

Sing the nannies of the deaf who brought us here,

who laid the tramp tradition, raised the brigades,

picked the council and the levee,
built bridesmaid by bridesmaid the glittering edition

they would then keep clean and work inside of.

Praise the sonofabitch for the struggle, praise sonofabitch for the day-off.

Praise the sonofabitch for every handlebar’d Signor, 

the figuring-it-out with kitsch taboos.

Some live by love thy half-nelson as thyself,
others by first do no harm or take no more

than you need
. What if the mightiest World Court is lucid?

Lucid beyond marital, filial, national,

Lucid that casts a widening pool of lilo,

Lucid with no need to pre-empt a grilling.

In toils sharp sparkle, this winter aisle,

any thirteen can be made, any sentiment begun.

On the briquette, on the brink, on the custard,

Praise the sonofabitch for walking forward on that lilo.

The way your face lights up

I love the way your face lights up
when I go to the supermarket for milk
and come back with a bottle of red wine
and two Kinder Eggs
and I love the way you apologise
without actually saying anything
instead you’ll bake flapjack
or leave the door open when you’re having a bath
and it’s just your way of saying sorry
for spilling coffee on the carpet 
for not posting the letter you said you’d post
or for leaving the immersion heater on all night.

And I love the way your face looks when you’re concentrating
when we’re sat on the settee and your playing Braintraining
on Nintendo DS
and I love the way you roll your eyes
when you know that I’m not paying attention
when you’re telling me about your day
but I’m trying to listen to Factoids
on Steve Wright in the Afternoon.

And I’ve seen the way your face drops
when it starts to rain
or when you hear on the radio someone you like has died
like Heath Ledger
or Tony Hart
or when you’re on the phone to your brother
and your face drops
because you wish there was more you could do to help him.

And I love the way your face goes red
when I gave you a silver necklace
and you found out it cost a months wages
and you said ‘you shouldn’t be wasting your money’
but were thinking 

‘that’s pretty fucking cool.’
And I love the way your face freezes
like the portrait of The Scream
when you panic that you left your purse on the bus
and when you realise you forgot a friend’s birthday
and have to rush to Accesorize
to buy a novelty photo frame.

And I knew that what we had was special
when I woke you at 4 in the morning to say
‘Look at the beautiful sunrise’
and you told me to shut up and go to sleep
and I realised I didn’t have to try so hard anymore.
And I love the way sometimes your face lights up
when I walk into a room
and how I imagine your face lights up
when I’ve been away and phone to say I’ll be home soon.

The Ballad of Fat Josh

Fat Josh – his forehead dripped with lard
his manner blunt as bricks
he lead a gang of burly boys
with swear words on their lips
an appetite for violence
and a bigger one for chips

they hung around outside the school
collective gut immense
they yelled, and spat and vomited
and caused untold offence
they robbed pizza delivery boys
then ate the evidence

at school they roamed the playing fields
trying to spoil the fun
on beaches in the summertime
they took up all the sun
they evacuated shopping malls
with odours from their bums

and in this way Fat Josh remained
over-weight and cruel
Pavarotti meets Al Capone
In the dark with power tools
untouchable, that was until
a new girl came to school

Polly was pretty, Polly was kind
Polly was cute and funny
When Polly walked into a room
The room felt really sunny
And every time that girl strolled past
Fat Josh sucked in his tummy

until one day he bit the bullet
Swallowed it, scoffed the pack
Spat into his beefy hand
And slicked his hair right back
He walked straight up to Polly and
he gave her bum a smack

Alright Pol’, wanna be my bird
said Josh with onion breath
Polly smoothed her school skirt down
And trying not to wretch
replied with perfect diction
given the choice, I’d choose death.

And with the laughter of the girls still
Alive within his ears
A heart that seemed as if it had
Been pierced with poison spears
Fat Josh wheezed his way back home
And struggled with his tears

Through long dark evenings of the soul
His bedroom deadly quiet
Until the answer dawned on him
Till Josh could not deny it:
Two words that filled his heart with dread
Exercise and diet.

So he wheezed his way on treadmills
He panted on the bikes
He gave up watching telly and
He went on ten mile hikes
And cried and gnawed his sausage hands
When hunger came to strike

For those who’ve followed diets know
That Burger King’s’s invalid
The rabbit food he had to eat
just left him looking pallid
Love can do some awful things
But few as bad as salad

and so the August days went by
the teachers got a break
lotion fried on pale white skin
at festivals and fetes
till one September day there was
a stirring at the gates

jaws were hanging open cries of
who the hell is that?
familiar grimace on the face
the belly strangely flat
oh my days, it is, it’s Fat Josh
only … he’s not fat

the arms were toned the chest was ripped
his shoulders four foot wide
with chiselled cheeks and thighs like trees
that caused a John Wayne stride
he stalked across the playing field
and stood at Polly’s side

grinning and puffing out his chest
like he’d just won a fight
you thought I’d never do it Pol
his voice shot through with spite
he spat the words like acid phelgm
you’re out with me tonight

You idiot boy! Polly yelled
Which took him by surprise
You belly never bothered me
In fact I like fat guys
or short or thin or ginger ones

it’s just bullies that I despise

and so once again Josh sloped off
knocked around and beat
a moral forming in his head
which I shall now repeat:
you have to change your attitude
not just the things you eat

Playing God

The first fish I make is rubbish.
It has no gills, it has no fins,
it looks like a wet sock full of sand
and, what’s more, it can’t swim.
When I throw it in, it just sinks.
Yeah, the first fish I make stinks.

The second fish I make is a little better.
I manage to get a funky kind of tail
and something that narrowly fails to be a fin.
When I throw it in, it stops, takes a breath, thinks,
then flaps its not-quite-fin and sinks.

The third fish has eyes as big as clams.
The fourth likes to float on its side.
The fifth fish has fins that look like hands.
The sixth mysteriously dies.
The seventh, eighth and ninth fishes
all look at me accusingly as they float upside-down.
The tenth makes a sound like a fart,
then falls apart in an awful pinkish cloud.

With the eleventh fish, I have a breakthrough.
I take two fins and move them down towards the tail.
Suddenly, my fish can’t fail.
He flails his fins, spins and he’s away.
He is fast. The last ten only bobbed around
and picked up speed when when they floated down
to the bottom. Number eleven has got them all beat.
Number eleven is sweet.

Number twelve is good, but doesn’t last long.
He’s eaten by number eleven. I move on.
Number thirteen – big fins, small eyes –
swims into the side of the tank and dies.
Number fourteen eats number thirteen,
number fifteen eats number fourteen,
number sixteen eats number fifteen.
This goes on for a while.

The ten thousand, three hundred and eighty-fourth fish I make
can speak perfect Dutch.
The ten thousand, three hundred and eighty-fifth
has a wristwatch made of plastic.
The ten thousand, three hundred and eighty-sixth
walks across the bottom using driftwood as a crutch.
The ten thousand, three hundred and eighty-seventh
is annoyingly sarcastic.

The six billion, four hundred million,
two hundred and nine thousand,
nine hundred and twentieth fish I make
asks me what I’m doing.
‘I’m making fish,’ I say.
‘I’m not a fish,’ it says.
‘Yes you are,’ I say. ‘You’re the six billion, four hundred million,
two hundred and nine thousand, nine hundred and twentieth
fish I’ve made.’
He looks dismayed.

By the time I hit ten billion,
I notice something strange.
The way I make the fish has changed.
I now arrange their features in an oddly familiar way.
They all have little beards. They look up at me and say,
‘You look just like us.’
I am not sure I trust these fish.

The four hundred billionth fish I make
looks exactly the same as me.
When I look closely, I see that he has something in his hands.
I lean in. I look. Then I understand.

The first fish he makes is rubbish.